Project Quilting 15.6 - Irish Chain

How fitting that a challenge issued on March 17 involves something attributed to the Irish!  Although, from a quick search on the web, it appears that the pattern may have originated in the US. Apparently, in Ireland, it is called the American Chain!!

Regardless of where it came from, it is a traditional quilt pattern.  It is listed as a block in many reference books, but you really need two blocks to make the single Irish Chain design - a nine-patch block and a plain background block.  Alternating them makes the typical diagonal chain.  It was historically made as a two color quilt, which really emphasizes the 'chain' pattern.  Given the name, green with a white background is a popular color combination. 

On a normal PQ challenge week, I try to make a baby size quilt.  But this week was shaping up to be a crazy busy week, and my PQ time would be limited.  So when I saw that the challenge was Irish Chain, I have to admit to being less than excited about it.  (Sorry, Trish!)  All I could envision was a scrappy nine patch with a white background.  

Quiltober 23

I have recently completed two  quilts that are scrappy with a white background.  

The first one is called Quiltober 23 from Karen Montgomery's Nine Patch A Day Facebook group. As you can see, it is very similar to an Irish Chain.  It's has the  '23' designation  because she published another Quiltober quilt pattern in 2022.  And probably will have another one this year, so that one will be Quiltober 24! If you are on Facebook, check out the Nine Patch a Day group. 

Karen owned a quilt store for over 20 years before she 'retired' to Florida.  Now, she designs fabric, rulers and patterns and teaches other quilt store owners how to run their business. She occasionally posts patterns that she designs, but more importantly, she posts a video every Sunday evening where she answers quilting questions from group members.  She is a veritable fountain of information!

Circling the Nines variation

Here is the other scrappy-nine-patch-with-white-background-quilt that I recently completed.  It was inspired by a free pattern that I saw on the Quilted Twins website called Circling the Nines.  That one was set on point; I chose a straight set, and made it somewhat smaller.

As you can see, both of these quilts use scraps, a white background and lots of nine-patch blocks.  So it's not that i don't like nine patch blocks with a white background. I'm just a little burnt out on the theme. The thought of working on even a baby size Irish Chain just left me apathetic.  And with all my other commitments this week, I knew that I wouldn't have the energy or time to put into something creative. 

So after a few semi-sleepless nights  of mulling it over, I decided to just do a small, traditional two color single Irish Chain project.  Since I had used up most of my stash of 2 1/2 inch squares and strips on the two previous projects, I dug into my bin of 1 1/2 inch strips.  There, I discovered two strips of a pretty coral with white flowers fabric.  I paired the coral with a scrap of a white-on-white fabric that was printed with small white flowers.

I quilted straight diagonal lines through the coral fabric, and used a decorative floral stitch through the white background squares.  My biggest challenge was the binding.  Because I started with a 1 1/2 inch wide strip, the binding is barely 1/4 inch wide. This was the narrowest binding that I have ever made!  But I like it on a small project like this. 

My Coral Irish Chain project is 9 1/2 inches square. I'm not sure my Irish ancestors would approve of coral instead of green. Coral might be a little too close to orange for their taste!  ^.^

Coral Irish Chain

It's not my most creative venture, but it was quick and easy. It didn't tax my brain on a busy week, it's pretty, and I like the way it turned out.

It has been a great Project Quilting season, and I'm already looking forward to next year!  

  

Project Quilting 15.5 - Wearable

Every once in awhile, I come across a project that really grabs my imagination. It's all I think about; I want to drop everything and make it.  That happened a couple weeks ago when I opened an email newsletter from Melissa Mortenson of Polka Dot Chair.  She showed a tote bag that she made for her latest family trip to Disney World.   She cut some fabric scraps into  Mickey Mouse silhouettes and appliqued them on a purchased tote bag. See the post here: https://www.polkadotchair.com/diy-applique-disney-tote-bag/

It was so stinkin' cute that I immediately started planning to make one (or two....). The problem is that I have way too many tote bags and I really can't justify making any more.  So I started thinking about other ways to use the Mickey silhouettes.  I decided that they would look really cute on a t-shirt.  And I could wear it on MY next trip to Disney!  

But even though I kept thinking about it, I didn't have time to actually start working on it.  I sing with a local concert chorale, and last week was concert week.  We had two dress rehearsals and two concerts in the span of 6 days.  I was so busy that I even forgot that Project Quilting 15.5 was starting on Sunday! 

On Sunday evening, after I got home from the Sunday afternoon concert, I did some unwinding by checking my email and Facebook.  That's when I saw the topic for this week's challenge. 

Wearable?  WOW!  Talk about a coincidence!  And I even had a plain white T shirt that I had purchased awhile ago that I could embellish!

So Monday morning, I went spelunking into my scrap bin to find some fabrics that would be suitable for the Mickey Mouse appliques.  I was originally looking for patriotic fabrics, but on my way there, I found several strips of Ombre Confetti Metallic by V and Co.  Where and when I got them, I have no idea, since I know that I never had that jelly roll.

Sometimes I think that there is a fabric fairly, similar to the Tooth Fairy. But instead of taking a tooth and leaving a coin, she takes some of your fabric and leaves someone else's in its place. That would explain why you just know that you have a certain piece of fabric, but you can't find it.  The Fabric Fairy 'rearranges' it for us!

Anyway, one of the strips was an indigo ombre that I decided was perfect for this project.  I printed out the shape, traced it onto some template plastic, then used that to draw Mickeys onto the paper side of some fusible web.  Since the Mickeys are symmetrical, I didn't have to worry about orientation, like I would for letters.  The only thing that I needed to remember is to iron the fusible shapes onto the WRONG side of the fabric!  Yes, I have absolutely fused to to the right side before!  Once they were cool, I cut them out with a pair of very sharp scissors.

I carefully arranged the Mickeys in a 9x9 grid and fused them down. I used the blanket stitch on my Bernina B590 to stitch around the edges, using a different coordinating thread for each progressively darker row.

The one thing that I learned is that you have to be very careful not to stretch the t shirt when you are stitching around the shapes.  The easiest way to do that is to only hold onto the woven fabric shapes when you are stitching, not the surrounding t shirt.  I am happy with the way that my new Disney T shirt turned out!  

Project Quilting 15.4 - Hourglass

'Like sands through the hourglass, so are the days of our lives'  This was the opening line of the soap opera Days of Our Lives.  When I was growing up, my grandmother was a big fan of that show, and always made sure that she was home to watch it.  I never saw the reason why - missing one episode never seemed to make much difference, since the next one invariably showed much of the same content!   

Anyway, I was originally going to write about the fact that soap operas like Days of Our Lives have disappeared from TV, then link that to the Disappearing Hourglass baby quilt that I made for this week's challenge.

But when I googled 'Days of Our Lives' to get more info, I was shocked to see that it is STILL being produced!  So much for that take on the PQ 15.4 theme!  The show is no longer broadcast on NBC,  but it is available on their Peacock paid subscription service.  Wow.  My grandmother would be thrilled.

I guess that I could wax philosophical and talk about how time flies and seems to disappear and .... nah.  I'm not in the mood to be morbid. Instead, I'm just going to ramble a bit about disappearing blocks. Skip to the end if you just want to see my Hourglass project. 

A disappearing block is made when you make a traditional block, cut it up into pieces, rearrange the pieces and sew them back together to make a new block. So the original block has 'disappeared'. 

The first disappearing block quilt that I remember seeing was a disappearing nine patch, which is made by cutting a nine patch block in half both ways.  That gives you four blocks which you can then rearrange in different ways.  But since the four blocks are identical, many of  those arrangements look the same. You can make the variations look different by using different fabrics in different positions, but the basic structure is still the same.  

Since the original disappearing nine patch, some very creative people have started cutting up other traditional blocks.  For instance, instead of turning a nine patch block into a four patch block, why not turn a four patch block into a nine patch?  Many of the simple traditional blocks are essentially four patch blocks. When you cut them into nine pieces, the resulting pieces aren't identical, so you can rearrange them into many, many more variations than what is possible with only four identical pieces. 

Brita Nelson is one of those very creative people who has been playing around with the concept of disappearing blocks. She calls herself 'The Questioning Quilter'. She's turned traditional blocks like Hourglass and Pinwheel into hundreds of different Disappearing blocks.  Plus, she's done all the math!  Check out her blog post here and prepare to be amazed. 

Now back to the challenge! 

single Hourglass block

Disappearing Hourglass variation

Last year, I made a baby quilt for PQ 14.1 using the dark squares from a Fisher-Price themed layer cake and a white background.  This week's challenge was the perfect opportunity to use up most of the rest of the layer cake by using the light squares and some navy blue solid from my stash. I made 12 hourglass blocks, then cut each one into nine pieces and rearranged them into one of the Disappearing Hourglass variations. 

I tried a few different quilt layouts to see which one that I liked the best.

I was tempted to use this layout, because I really like the look of it. But  when I viewed it from a distance it didn't look balanced.  I think that it would work better as a square quilt rather than a rectangular one.

I ultimately chose this layout because look at those cute little hourglasses that form where the blocks meet!

Project Quilting 15.3 - Inside Out

Thanks to my daughter, I knew what the title of my project for PQ 15.3 was going to be on Sunday afternoon.  It just took me awhile to decide what form the project was going to take.

As I was reading the blog post about the theme, my daughter walked into the room.  Now, in order to understand why that is important,  you have to realize that my daughter is a pop culture nerd.  More specifically, she is a Disney nerd.  

I was scratching my head and trying to figure out how I could make something quilted that was inside out.  Batting on the outside?  Seams on the outside?  Neither seemed to be a great idea for a quilt.  So I read the post to my daughter and she said - Oh, that's easy!  Memory Balls!    

Huh? Memory Balls?  What the heck are Memory Balls?  She reminded me about the Disney Pixar film from a few years ago called Inside Out. I remembered the film, but I had never seen it. So of course, I had to look it up. The film is about a little girl who moves to a new city and a new school. Her personified emotions are color coded in the film, and so are her memories, which are stored as colored balls in a place in her brain called Long Term Memory. The color of the balls is reflective of the emotion associated with it.  Yellow is joy, blue is sadness, green is disgust, purple is fear and red is anger.

One of the characters in the film in Long Term Memory
 with the Memory Balls  

So I knew right away that I was going to do something with colored circles in a grid.  I thought about using the Drunkard's Path block to make colored circles for a baby quilt, but I wasn't sure that I would have enough time to get it done. 

I settled on appliqued circles to represent the Memory Balls.  I'm not a big fan of applique, but I thought that it would be easier than doing curved piecing.   I heard about an applique technique that uses fusible interfacing to make the turned under edges, so I thought that I'd try it.  The one thing about these challenges is that they encourage me to try new techniques!  

The fusible interfacing technique involves sewing the fusible side of the interfacing and the right side of the fabric together all along the edge of the shape. Then you cut out the shape with a small seam allowance, slit the interfacing and turn it right side out.  That means that the right side of the fabric and the fusible side of the interfacing are now on the outside.  You iron the applique in place, then stitch around the edges however you want.  

I made a bunch of circles using solid fabrics and fusible interfacing, then arranged them in a grid on a solid navy blue background.  I chose to use the blanket stitch on my machine.  Note to self - you need more practice with machine blanket stitching!

And since I was playing with new techniques, I decide to try using the alphabet stitches that are built in to my Bernina B590.  I programmed in the phrase "Long-Term Memories" and proceeded to stitch that phrase around the outside of the grid of circles.  Another note to self - don't try to go too fast.  The letters get misshapen if you pull the fabric or if you try to stitch too fast.

My Inside Out knitting bag

I ended up making an 8 X 11 inch zippered bag for my knitting. So not only was the project inspired by the movie Inside Out, I also used two inside out techniques - the fusible interfacing applique and the bag both needed to be turned inside out in order to finish them.  WooHoo - a three-fer!

Project Quilting 15.2 - Sky Color

The theme for the second challenge of 2024 is Sky Color.  But we can't use the typical sky color - blue!  Well, we can use blue, but it has to be less than 10% of the colors in the project.  This time of year, 'less than 10% blue' accurately describes the sky in my area most of the time! We actually get fewer sunny days here than they do in the Pacific Northwest, which is known for it's rain.  I definitely don't want a gray, dreary project! So sunrise/sunset colors, or night sky colors seemed to be my options.

When I did my entry for the "Silhouette" challenge in 2022 (PQ 13.2), I used the colors of the sunrise.  (Well, for me it was more like sunset, since I am hardly ever up in time to see the sunrise ^.^!)  Even though I love those colors, I didn't want to repeat that color scheme in another project.  Instead, I decided to do a night sky with northern lights.

The question was, of course, what to make, and how to incorporate those colors.  When I was searching for images of the Northern lights, I discovered that the aurora are most commonly green, but there are variations depending on the intensity of the solar winds, the composition of the charged particles in the magnetosphere and the altitude at which the charged particles react with the atmosphere.

Image courtesy of space.com

What struck me in all the images was the flowing ribbons of greens, blues, violets and even reds and pinks! It reminded me of a bargello quilt, so that's what I decided to make.

I've never made a bargello quilt, so that lead to another bout of internet surfing. I found a few sites that had instructions, so I figured that it might be pretty easy to pull off a small one in a week.   

I decided early on that I would only use fabrics in my stash for my PQ projects.  I have a medium size bin of solids that was given to me, so I decided to use those.  The only drawback was that I didn't have enough of the clear vivid colors that I've come to associate with the aurora borealis.  I did have pastels, so that is what I used. I reasoned that maybe not all northern lights are vivid, but the vivid ones make the best photos, so that is what you usually see on the web.   I also had some midnight blue and inky black, which I used to represent the night sky.

I used the tube method, where you sew all your strips together, then sew the first strip to the last one. Then you flatten the tube on your cutting table and cut across into varying widths.  This gives you a bunch of fabric strips that are sewn into a circle.  

You then use your seam ripper to remove the thread between two of the segments of the circle, which turns it into a strip.  Each time, you move up or down one segment so that the colors shift when you sew them together.  I'm sure that I'm not explaining the technique very well, so if you want to try it, search the web for Free Bargello Quilt patterns.  Missouri Star Quilt Company has a video tutorial on You Tube, as does Sewing with Abeygale.

Since this was my first time with bargello, I made some mistakes and it didn't quite turn out the way that I first envisioned.  For example. I should have used a few more strips, because my end result was somewhat too long and not quite wide enough.  I solved that problem by piecing an extra column from the scraps. All in all, though, I think that it turned out OK.

Since the aurora is mostly green, I used a variegated green thread to quilt wavy lines to simulate the the flowing ribbons of color.  

Pastel Northern Lights Bargello

Project Quilting 15.1 - Bird House

Bird House?  I have to admit that I wasn't exactly inspired by the theme.  But then again, not everyone has to like every theme.  I toyed with the idea of making an actual 3 dimensional bird house and using it for a tissue box cover, but I really wasn't excited about the idea. 

I then thought about doing an online search for bird house blocks.  Again, no excitement.  

When I first started quilting, I bought a number of resource books - yes, the real physical, hard copy hold-them-in-your-hands books.  They mostly sit on my shelves gathering dust, so I decided that it was time to start using them again.  

I found a block called 'Wren House' in Better Homes and Garden's 505 Quilt Blocks book, which was published in January 2003.  This book has a lot of what I'd call pictorial blocks.  I'm not sure that's the correct word, but what I mean is that most of the blocks are images of things (houses, flowers, animals, etc.) instead of traditional quilt blocks that are based on shapes.  

I don't want this to turn into a book review, but if you decide to look for the book, I want you to be aware of a few things.  On the plus side, there are lots and lots of good blocks. The down side is that the book doesn't really give instructions for making the blocks. It has general quilt making information, but it doesn't give dimensions for the blocks or for the pieces thereof.  It does number and letter the parts of each block so that you can figure out what in what order to piece or applique them. Also, all of the illustrations are about 4 inches square. That's not really a problem, as long as you can figure out how to increase the blocks if you want them larger.  

My printer/copier doesn't have the capability to resize, so I grabbed a pad of graph paper and a ruler and played around with proportions.  I managed to make a decent looking representation of the Wren House block that is about 8 inches across.  I added a little length because I wanted the house to look like it was high enough off the ground to keep a cat from jumping up onto it ;>.

I decided that, like many of my prior PQ projects, this was going to be a potholder.  

I dug into my scrap bin and found a cute blackbird print that I used for the house.  A mottled blue print for the background and black Kona cotton for the roof, pole and the entrance and I was done.  I quilted it with a simple straight lines because I like potholders to bend easily. The binding is more black Kona cotton.

Another PQ project done!